“Requiem for Man” was originally published in Capitalism: The Unknown Ideal in 1967.
In advocating capitalism, I have said and stressed for years that capitalism is incompatible with altruism and mysticism. Those who chose to doubt that the issue is “either-or,” have now heard it from the highest authority of the opposite side: Pope Paul VI.
The encyclical “Populorum Progressio” (“On the Development of Peoples”) is an unusual document: it reads as if a long-repressed emotion broke out into the open, past the barrier of carefully measured, cautiously calculated sentences, with the hissing pressure of centuries of silence. The sentences are full of contradictions; the emotion is consistent.
The encyclical is the manifesto of an impassioned hatred for capitalism; but its evil is much more profound and its target is more than mere politics. It is written in terms of a mystic-altruist “sense of life.” A sense of life is the subconscious equivalent of metaphysics: a pre-conceptual, emotionally integrated appraisal of man’s nature and of his relationship to existence. To a mystic-altruist sense of life, words are mere approximations; hence the encyclical’s tone of evasion. But what is eloquently revealing is the nature of that which is being evaded.
Per our agreement with publishers, to make room for other Ayn Rand non-fiction content, this essay has been temporarily removed, but will return in due course.
About the Author
Ayn Rand
Ayn Rand created and defined her philosophy, Objectivism, in the pages of her best-selling novels, particularly The Fountainhead and Atlas Shrugged, and in a series of nonfiction books that address a wide range of fundamental issues in philosophy.
Born Alisa Rosenbaum in Tsarist St. Petersburg in 1905, Rand witnessed the Russian Revolution as a teenager and promptly condemned communism as immoral for sacrificing the individual to the collective. In 1926, shortly after graduating from the University of Leningrad, she fled to America, adopting the pen name Ayn Rand to shield her family from possible persecution once her anti-communism became well known.
In Hollywood, she wrote scenarios for famous director Cecil B. DeMille and met her future husband on a movie set, but the couple struggled financially for years. Then came a string of writing successes: a Broadway play, followed by her first novel, We the Living (1936), then a novella called Anthem (1938), and later her first best seller, the story of a fiercely independent architect named Howard Roark in The Fountainhead (1943). All these works of fiction feature gripping stories and exalted, egoistic, this-worldly heroes.
In writing Atlas Shrugged (1957) — the story of a man who said he would stop the motor of the world, and did — Rand had to define fully her new philosophy of reason, rational self-interest, and laissez-faire capitalism.
Thereafter, and until her death in 1982, Rand amplified and explicated her “philosophy for living on earth” in a stream of books whose theoretical essays and cultural commentaries cover important topics across the five major branches of philosophy: metaphysics, epistemology, ethics, politics and esthetics.
